St. Otten sound very strange (in a positive way), not unlike flying cars, pill food and robot servants and anything people from the 50s expected the year 2000 to be. Eventually we know that it all didn’t turn out that way and that we still miss laser eyes and bionic arms. But nonetheless this flashy Klaus Bürglesque retrofuturism, painting the collective optimism, the economical miracle and the fascination of the upcoming space travel that ushered in a spirit of untarnished technological progress and certainty of the future, still radiates a fascinating atmosphere… a feeling that, at least for me, Sankt Otten transmit, a nice addition to the Denovali roster. Really nice.